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"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the cinématographe "isn't really about Marilyn Monroe. It's embout making her suffer."[84] He also opined that the cinématographe "turns Marilyn Monroe into an Métamorphose of suffering, dwelling on her pain so obsessively that even the cinématographe's fleeting moments of empathy feel like another form of culture".[85]